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OSCILLATORS:
Audio Oscillators 2
No.
of waveforms Unlimited
Pulse
Width Modulation Yes
LFO
Pitch Modulation Yes
Oscillator
sync Yes
Fine
Tuning Yes
Ring
Modulation Yes
Noise
Pink & White
Pitch
bend Yes
Portamento
(Glide) Yes
FILTER:
24dB/oct LP filter + High-pass filter
Filter
self-oscillation Yes
Keyboard
tracking Fully variable
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ENVELOPES:
Dedicated
Envelopes 1 x ADSR, 1 x AR
No.
of Envelope destinations 6
Envelope
inversion No
LFO
re-triggering Yes
LFO
AND S&H:
Dedicated
LFOs 1
No.
of LFO destinations 8
No.
of LFO waveforms 2
Sample
& hold Yes
No.
of S&H destinations 5
OTHER
FEATURES:
Polyphony
2 note Keyboard 37 note
Pitchbend
Knob, Transpose +/- 2 octave |
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Both
VCOs are switchable between sawtooth, square, and pulse waveforms
with oscillator sync, a ring modulator, and pink or white noise.
Pulse-width can be modulated manually or with the LFO or the ADSR
envelope generator. There is a high-pass filter, as well as a
low-pass self-oscillating VCF. The filter can be controlled by
either of the two envelope generators, an ADSR (attack, decay,
sustain , release) and a simple AR (attack, release) and modulated
by the LFO, sample-and-hold, the keyboard, or a separate CV (pedal)
input on the back panel.
The Odyssey was the first duophonic (ability to play two notes
at the same time) synthesizer. This 37-note synthesizer was made
in three versions. The first version was off-white (see photo
above), the second (in 1977) was black with gold markings on its
front panel. The third (1977 and later), and more common, version
was black with orange markings. The third version had an external
audio input, a steel frame, and was also equipped with Proportional
Pitch Control (PPC).
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